Lucía Cristóbal Marín works with digital press images, consumer products and the digital space where these are consumed. Her language experiments with extreme fields: image-objects, pictorial support-digital support and hand-technology.

Her work is based on the crisis of the digital model, its volatility and painting as a means of reflection through the distancing of the primitive image. She interprets and manipulates the picture and seeks the boundary between the descriptive limits of an image, the relationship with its title and the critical capacity of the viewer.

The painting is based on two processes. Construction, is the veneration of the image and of painting as a fact. And distancing, is a conscious and unconscious world that poses questions that the figurative image itself is not able to provide. She creates work rules which move the image away from its primitive fact until she turns the painting into a space that can accept absolutely everything to question fact, image and painting.

Lucía Cristóbal Marín was born in Spain in 1984. She has studied Fine Arts in Spain and Architecture in Germany. She took part in various exhibitions and scholarships in Europe. She is currently working between Madrid and Munich.

CV

info@luciacristobal.com



work
lucia cristobal marin

EL PAÍS

„Hollywood se vacía el bolsillo con Hillary Clinton“, 2016-2017

Oil, spray, felt-tip, cardboard, foam and Marc Jacobs´s perfume on canvas
130x100 / 130x100 cm

lucia cristobal marin

Digital Proof

EL MUNDO

„El Museo Británico desentierra el "sueño" americano“, 2017

Oil, spray, felt-tip, cardboard, foam and Marc Jacobs´s handbag on canvas
220x170 / 220x170 cm

lucia cristobal marin

SÜDDEUTSCHE ZEITUNG

„Des kaisers neue kleider“, 2017

Oil, spray, felt-tip, cardboard and TV on canvas
170x130 / 170x130 cm

lucia cristobal marin

EL PAÍS

„El antes y el después de Palmira“, 2015-2017

Oil, spray, felt-tip, cardboard and Marc Jacobs´s handbag on canvas
170x130 / 170x130 cm

lucia cristobal marin

Digital Proof

EL PAÍS

„Sortijas de ida y vuelta“, 2017

Oil, spray, felt-tip, foam, Marc Jacobs ´s perfume Marc Jacobs´s handbag on canvas
170x130 / 170x130 / 170x130 cm

lucia cristobal marin

Digital Proof

EL PAÍS

„Arco rompe su techo de cristal“, 2017

Oil, spray, felt-tip, foam and Marc Jacobs´s handbag on canvas
220x170 cm

lucia cristobal marin

Digital Proof

SÜDDEUTSCHE ZEITUNG

„Verschudet in ein paar Minuten“, 2017

Oil, spray, felt-tip, foam and Hermès´s bag with something inside on canvas
130x100 / 130x100 cm

lucia cristobal marin

NEW YORK TIMES

„Getting Lost in the Matrix With Chanel and Hermès“, 2016

Oil, spray, felt-tip and foam on canvas
100x70 / 100x70 cm

lucia cristobal marin

Digital Proof

EL PAÍS

„Las mujeres de Helmut Newton no son objetos, son irónicas“, 2016

Oil, spray, graphite, felt-tip, cardboard and TV on canvas
170x130 / 170x130 cm

lucia cristobal marin

Digital Analysis

EL PAÍS

„Hollywood se vacía el bolsillo con Hillary Clinton“, 2016

Oil, spray, felt-tip, cardboard, foam and Marc Jacobs´s handbag on canvas
130x100 / 130x100 cm

lucia cristobal marin

Digital Proof

EL PAÍS

„Pisamos territorio inexplorado“, 2017

Oil, spray, felt-tip, foam and Marc Jacobs´s handbag on canvas
130x100 / 130x100 cm

lucia cristobal marin

NEW YORK TIMES

„Rougned Odor punches Jose Bautista in face to start brawl“, 2016

Oil, spray, felt-tip and nike shoes on canvas
170x130 cm

lucia cristobal marin

SÜDDEUTSCHE ZEITUNG / NEW YORK TIMES

„Profikarriere ruiniert / Rougned Odor punches Jose Bautista in face to start brawl“, 2016

Oil, spray, graphite, cardboard, felt-tip and polyethylene on canvas
170x130 / 170x130 / 170x130 / 170x130 / 170x130 cm

lucia cristobal marin

Digital Proof

EL PAÍS / NEW YORK TIMES

„Bolt pierde un oro olímpico“ / „Zidane rectifica a tiempo“ / „Here’s How the Patriots Won Their Fifth Super Bowl“ / „As Planned, Tim Tebow Joins Mets’ Camp“, 2017

Oil, spray, felt-tip, foam and Nike´s shoes on canvas
170x130 / 170x130 / 170x130 / 170x130 cm

lucia cristobal marin

EL PAÍS

„Ámsterdam estrena un nuevo museo de arte moderno “, 2016

Oil, spray, cardboard and felt-tip on canvas
220x170 / 220x170 cm

lucia cristobal marin

EL PAÍS

„El Vaticano sospecha que el cardenal pagó su apartamento con dinero público“, 201

Oil, spray, cardboard and graphite on canvas
130x100 / 130x100 cm

lucia cristobal marin

EL PAÍS

„Cosas que las mujeres no quieren oir de los hombres en la cama“, 2016

Oil, spray, cardboard and graphite on canvas
220x170 / 220x170 cm

lucia cristobal marin

NEW YORK TIMES

„Sotheby´s sells the second most expensives Modigliani´s painting in the history, 2015“, 2016

Oil, spray and graphite on canvas
130x100 / 130x120 cm

lucia cristobal marin

SÜDDEUTSCHE ZEITUNG

A painting of the war

„Wenn Engländer und Franzosen die Marseillaise singen“, 2015

Oil on canvas
130x100 / 130x120 cm

lucia cristobal marin

EL PAÍS

A painting of the war

„Las heridas de Palmira, la ciudad y las ruinas“, 2015

Oil on canvas
170x130 / 170x130 cm

lucia cristobal marin

EL PAÍS

A painting of the war

„El antes y el después de Palmira“, 2015

Oil on canvas
170x130 / 170x130 cm

lucia cristobal marin

EL PAÍS

A painting of the war

„La guerra en Palmira“, 2015

Oil on canvas
220x170 / 220x170 cm

lucia cristobal marin

Digital Proof

EL PAÍS

„Tragicomedia americana“, 2016

Oil, spray, felt-tip, foam and sofa on canvas
130x100 / 130x100 cm














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